Over the course of its two-decade existence, Lightning Bolt has revolutionized underground rock in immeasurable ways. The duo broke the barrier between stage and audience by setting themselves up on the floor in the midst of the crowd. Their momentous live performances and the mania they inspired paved the way for similar tactics used by Dan Deacon and literally hundreds of others. Similarly, the band’s recordings have always been chaotic, roaring, blown out documents that sound like they could destroy even the toughest set of speakers.
Fantasy Empire, Lightning Bolt’s sixth album and first in five years, is a fresh take from a band intent on pushing themselves musically and sonically while maintaining the aesthetic that has defined not only them, but an entire generation of noisemakers. It marks many firsts, most notably their first recordings made using hi-fi recording equipment at the famed Machines With Magnets, and their first album for Thrill Jockey. More than any previous album, Fantasy Empire sounds like drummer Brian Chippendale and bassist Brian Gibson are playing just a few feet away, using the clarity afforded by the studio to amplify the intensity they project. Every frantic drum hit, every fuzzed-out riff, sounds more present and tangible than ever before.
Paul Erickson (Vaz) and Adam Marx (Arctic Universe, Seawhores)
Hardcore Crayons has a large array of influential artists, including the likes of Primus, Dub Trio, Bad Brains, Fugazi, King Tubby, Soul Coughing, Don Caballero… Elements of these artists seep their way into the songs created by this Minneapolis power trio. What is eventually created is truly a unique, energetic, and inspiring experience. Hardcore Crayons can and will change from eerie dub grooves, with delayed snare, looped, psychedelic guitar riffs, thumping bass, to harsh, bob-your-head-cause-you-just-can’t-help-it metal.