ED SCHRADER’S MUSIC BEAT
Ed Schrader and Devlin Rice are Ed Schrader’s Music Beat from the fair city of Baltimore MD. In 2008/09 many had seen Ed “live” with just a floor tom, one light, plenty of jokes, and commanding voice. This era often left people with a sense that they had just seen a man unhinged trying to tell them something sacred in the form of a song, or something, they weren’t too sure what they saw.
After a few tours on his own, in 2010 Ed asked Devlin to help him expand the songs with his limited knowledge of the bass guitar. Now the “live” show is one guy playing a drum with a light shining, singing his ass off and another dude with a bass, in the dark laughing at the other guy’s jokes. This era (which still continues) tends to leave people with that same fascination of the sacred unhinged but now it seems a little less scary, more familiar and they can can bring their dates to see this “cool band that you might not have heard of”.
This union shortly brought about the release of Jazz Mind on Load Records which featured collaborations with Randy Randall of No Age and Baltimore sound gurus Matmos. Jazz Mind captured the raw and jarring “live” show with songs that seem equally loud and destructive, pensive and haunting. Since the albums release the duo have been touring non-stop through North America and Europe, by themselves mostly but have also been seen in opening slots with Dan Deacon, Future Islands and hardcore luminaries Ceremony.
Party Jail picks up where Jazz Mind left off with a greater focus on making the listener aware that Ed Schrader’s Music Beat are not nut jobs who just play their best guess at punk. They wish to reveal that they are secretly a band that write pop songs, whether you know it or not.
YONI YUM was born in summer 2014. We will never die. YONI YUM is Alex Pennaz on bass, Wade Kapphahn on drums, Jacob Laqua on guitar and synth, and Jess Buns on synth, organ, and vocals.
Animal Lover have a sound that hits you in the forehead and gut simultaneously. Frontman Addison Shark’s guitar explodes like a dirty bomb of feedback, and the pulverizing bass and drums of Evan Bullinger and Nate Fisher add to its shrapnel spray. This is noise rock powerful enough to leave a lasting physical impression — albeit a confusing one for venues assembling punk nights. “It does get pretty tunnel vision as far as being genre-specific,” Shark elaborates. “We’ll wind up on a straight hardcore bill because that’s kind of just what goes on in that particular scene.”
Karl TeBeest & Paul Borman