Here’s the deal. In 2012, people loved Silver Age (to a degree that surprised me, pleasantly), likewise Beauty & Ruin in 2014 (despite the heaviness of the subject matter, which I thought might be a bit alienating… apparently not. Another pleasant surprise.). But Patch The Sky is the darkest one.
After the Letterman performance in February 2015 where “dust fell from the rafters,” it would have seemed logical to go the punk rock route—an entire album of two-minute songs—but that wasn’t where my soul was at. I withdrew from everyday life. I wrote alone for six months. I love people, but I needed my solitude. The search for my own truth kept me alive. These songs are my salvation.
I’ve had a solid stretch of hard emotional times, and thanks for the condolences in advance. I don’t want to go into the details—more death, relationships ending, life getting shorter—because they’re already in the songs. Just listen and see if you can fit yourself into my stories. The words make you remember. The music makes you forget. But Patch The Sky is also the catchiest one.
LOTT is the solo project of Minneapolis musician, Leah Ottman (We Are The Willows). Classical Experimental Violin. The core inspiration for LOTT’s compositions is the Romantic Period of classical music. The chordal structures, intervals, and melodies heard throughout her songs are reminiscent of those used by Antonin Dvorak, Alexander Borodin, Pyotr Ilyich Tchaikovsky, French Impressionist composer, Maurice Ravel, and then condensed into pop songs. She explores the range on her violin by utilizing a looping pedal and similar techniques employed by looping violinist pioneers, Andrew Bird, Kishi Bashi, and Owen Pallett.