THIS SHOW HAS BEEN CANCELED DUE TO ILLNESS
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Modern English has had to cancel their remaining March/April “Take Me To The Trees” tour dates due to a medical emergency sustained by guitarist Gary McDowell. Although McDowell performed several shows with the band recently at SXSW, in addition to the tour’s opening shows last week in Tucson, Phoenix, San Diego and LA, he needed emergency surgery in Los Angeles on Friday, 3/24. Gary will remain in the hospital for several days.
A message from the band:
“All of us, Gary especially, are very sorry to have to announce the sudden cancellation of our “Take Me To The Trees” US and Canadian dates. This is due to a serious illness and urgent surgery required for our guitarist Gary. Obviously we are very upset and disappointed to have to come to this decision, but without Gary we can’t play any concerts. After recovering from surgery, Gary will be flown home to England for further treatment.”
Bands are like families, bound by something deeper than friendship – and liable to implode just as irrevocably. Yet that familial bond can equally draw you back, and so it is that four-fifths of the original Modern English have recorded their first album together in 30 years.
Funded by PledgeMusic and released via Kartel Music Group, Take Me To The Trees not only reconnect the band to their roots, in the fervent and fecund world of late 1970s/early 1980s post-punk Britain, but they have co-produced it with Martyn Young of Colourbox and M/A/R/R/S fame, whose last production job was 1986. Moreover, the album’s beautiful cover is by venerated art director Vaughan Oliver, whose very first sleeve design was Modern English’s ‘Gathering Dust’ single in 1980.
Original members Robbie Grey (vocals), Mick Conroy (bass), Gary McDowell (guitar) and Steven Walker (keyboards) first reunited in 2010, to tour the US, UK and Paris, before accepting an invitation to re-record ‘I Melt With You’ for Mark Pellington’s film of the same name. The band’s most famous track was a US Top 50 single in 1984 after being featured in the rom-com film smash Valley Girl following Sire licensing its parent album After The Snow from their UK label 4AD. “It all went haywire from there, in a Beatles and Stones way, with all the trappings that went with it,’ Grey recalls.
Given Modern English’s roots were post-punk icons Wire and Joy Division – dark and austere while still melodic and passionate – it was strange to be treated like the new Duran Duran, and the band split after the third album, Ricochet Days (1986). “4AD was a family-run label, where we felt taken care of,” Grey recalls (he, McDowell and Conroy were part of the first version of 4AD’s so-called ‘house band’ This Mortal Coil, born in 1983 with covers of Modern English songs ‘16 Days’ and ‘Gathering Dust’), “and then we entered the shark-infested waters of the mainstream, but business wasn’t why we got into music in the first place. It wasn’t enjoyable, or creative, but stifling.”
Which explains the sense of unfinished business to Take Me To The Trees, a return to the sound and vision of Modern English’s debut single ‘Drowning Man’ (on their own Limp label) and, after becoming just the second band (after Bauhaus) to sign to 4AD, the singles ‘Swans On Glass’ and ‘Gathering Dust’ and the debut album Mesh And Lace (1981), of which James Murphy of LCD Soundystem says, “That record is a sneaky secret that everyone writes off, because they just think it’s going to be a ‘Melt With You’ but it sounds way scarier than any Joy Division record.”
DJ JAKE RUDH
Former Radio K, REV 105, NPR alum and present host on 89.3 the Current, Jake’s been voted “best DJ” in the Twin Cities by the readers & critics of City Pages magazine ten years running (2003-2012) and one of Star Tribune’s “Artists of the Year” (2012). His long-running “Transmission” dance night has been a weekly staple on the Minneapolis scene bringing a mixture of mod, glam & punk to post-punk, new wave, synth & indie rock for over a decade.