CARL BROEMEL OF MY MORNING JACKET
Years before Carl Broemel joined My Morning Jacket — the Grammy-nominated, globetrotting rock band featuring his guitar playing, saxophone solos, harmony singing, pedal steel riffs, and songwriting support — he wrote his very first songs in his Indiana bedroom.
From the start, he was a multi-instrumentalist with a singer’s gift for melody. A sideman capable of handling a frontman’s job. As his guitar-playing career blossomed, Broemel continued writing songs of his own, carving out a personal, introspective sound that reached beyond My Morning Jacket’s sonic landscape. With his third solo album, Wished Out, he merges articulate, pensive songwriting — including ruminations about science, love, the passing of time, and the grind of the artistic struggle — with some of the most energetic, rock-inspired songs to date.
“I wanted to get things moving,” says Broemel, who remembers playing shows in support of his 2016 solo release — the critically-acclaimed 4th of July, full of daydreaming guitar tones and soft dynamics — and hearing the quiet crash of glass whenever his fans tossed beer bottles into the clubs’ trash cans. “My songwriting can be very mellow,” he adds. “I love that mood, but I needed more balance this time around. I needed more energy! Wished Out is all about the yin and yang.”
Broemel recorded Wished Out at his newly-constructed home studio in Nashville, tracking many of the instruments alone before reaching out to several friends — including Robbie Crowell (Deer Tick), Russ Pollard (Everest, Sebadoh), and My Morning Jacket bandmates Tom Blankenship and Bo Koster — for help. He worked in spurts, taking short breaks to drive his son to school and longer breaks to hit the road with My Morning Jacket. With sunlight filtering through the studio windows during his days at home, Broemel steadily whittled his new album into shape, pulling triple duty as Wished Out‘s producer, engineer, and frontman along the way.
From the harmonized guitar riffs and deep-seated grooves of the kickoff track, “Dark Matter,” to the McCartney-worthy pop textures and densely-stacked vocals of “Out of Reach,” Wished Out finds Broemel picking up the pace without sacrificing his love of melody. Hooks are everywhere, hidden in the dreamy, California folk-rock of “Malibu Shadow”; the percussive, psychedelic punch of “Starting from Scratch”; the stoned, stuttering rock & roll swagger of “Rain Check”; the show-stealing guitar solo that stretches itself throughout the second half of “Wished Out”; and beyond. A heavy reader, Broemel found inspiration in the scientific writings of Neil deGrasse Tyson, the work of evolutionary biologist Richard Dawkins, and the anthropological essays of Loren Eiseley. The result in an album whose melodies go down smooth, but whose lyrics unveil new layers with each listen. It’s a thinking man’s rock & roll record…or is it the other way around?
In September 2014, Nashville-based instrumental outfit, Steelism, were introduced to a national audience with the release of their debut full-length album, 615 to FAME. The record, featuring ten original instrumentals and one cover, became a calling card for the band’s versatile yet distinct sound, drawing influence from film score composers like Ennio Morricone and ’60s instrumental acts like Booker T. & the M.G.s, The Ventures and Pete Drake.
With their latest effort, ism, Steelism offers a more holistic listening experience, inspired by mid- century modern design, early Brian Eno productions and 70s film scores. They also introduce featured vocalists into their instrumental canon for the first time. The result is a refreshing sonic palette with an invigorating twist on the Intoxicating Sounds of Steelism. “We pieced together ism like a visual mid-century modern design – an array of vibrant colors and tones aligned together while constantly striving for minimalism, even as the production grew.”