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89.3 The Current presents

EZRA FURMAN

STEF CHURA

Thursday, September 05
Show | 8:30pm // Doors | 7:30pm
$15 ADV | $17 DOS
21+ SHOW


EZRA FURMAN

Just a year and a half since the release of his critically acclaimed LP Transangelic Exodus, Ezra Furman returns with Twelve Nudes, yet another incendiary and inspiring classic from the singer / songwriter / guitarist / bandleader. The album will be released worldwide on August 30, 2019 via Bella Union. “This is our punk record,” says Ezra Furman. “We made it in Oakland, quickly. We drank and smoked. Then we made the loud parts louder. I hurt my voice screaming. This was back in 2018, when things were bad in the world. The songs are naked with nothing to hide.”

Immediate proof is offered by ‘Calm Down’ (aka ‘I Should Not Be Alone’), the album’s insanely catchy opening track and lead single, bound up in a compact two minutes and 22 seconds. “Desperate times make for desperate songs” says Furman. “I wrote this in the summer of 2018, a terrible time. It’s the sound of me struggling to admit that I’m not okay with the current state of human civilization, in which bad men crush us into submission. Once you admit how bad it feels to live in a broken society, you can start to resist it, and imagine a better one.”

Furman’s preceding album, 2018’s Transangelic Exodus, was “an angry and fearful and pent-up reaction to events too,” he recalls. “But it was a carefully written and recorded version; we took a lot of time with edits and overdubs. I knew I wanted I make this album quickly and not spend time thinking how to play the songs. Twelve Nudes is a ‘body’ more than a ‘mind’ record – more animal than intellectual, And by affirming negativity, it gives you energy, to reject stuff. There’s more space for positivity.”

Far from being defeated by a world in turmoil, Furman’s productivity has only increased the worse things have got – and he’s taken up different disciplines to boot. Between Transangelic Exodus and Twelve Nudes, the 33⅓ imprint published his deeply personal, thoughtful and incisive book on Lou Reed’s legendary 1972 album Transformer, before Furman scored the soundtrack to Netflix’s acclaimed comedy Sex Education, which showcased the tender side of his songwriting.

But all his pent-up energy had to be channeled somewhere: hence Twelve Nudes, which Furman and band recorded in October and November 2018 before the album was mixed by the venerated producer John Congleton (Sharon van Etten, St Vincent, John Grant). Furman says the album has two spiritual heroes – the late great punk rock rocker Jay Reatard, and Canadian poet, philosopher and essayist Anne Carson. “She’s one of my top three living writers,” he says. “Anne had these visions, or meditations, to deal with the intense pain in her life, which she calls ‘nudes’, and similarly these songs are meditations on pain and recognizing what’s there if you go digging around in your anger and fear and anxiety. So, my album is called Twelve Nudes.”

“The record is political,” says Furman, “but it offers an emotional reaction rather than being specific or partisan.” Furman’s Jewish identity shapes ‘Rated R Crusaders,’ triggered by the Israel/Palestine conflict and its complex web of refugee trauma. ‘Trauma’, meanwhile, seethes with the spiritual malaise brought on by watching wealthy bullies accused of sexual assault rise to power. America, Furman well knows, is balanced on a knife-edge between white male supremacy and the dream of universal opportunity; hence the references to Mexico, slave–owners and US ‘founding father’ Ben Franklin in ‘In America’. As Furman sings, reiterating the spirit of punk rock, and positivity, “Put it all in a two-minute pop song / A really-mean-it-a-lot song for America.”

“One of my goals in making music is to make the world seem bigger, and life seem larger,” he concludes. “I want to be a force that tries to revive the human spirit rather than crush it, to open possibilities rather than close them down. Sometimes a passionate negativity is the best way to do that.”


STEF CHURA

“For most people who create art I would assume there is some kind of deep unanswerable hole in your soul as to why you’re making it…” So says Stef Chura ahead of the release of Midnight, her gritty, vehement new album, recorded and produced by Will Toledo of Car Seat Headrest – and her first new collection of songs for Saddle Creek, out June 7.

Illuminating that search for answers with a fevered sense of exploration, Midnight is a bold leap forward from Messes, Stef’s contagious debut album, with every aspect of her new work finding bold ways to express itself as it rips through twelve restless and relentless new tracks. Today, she also shares the first single, “Method Man, ” a boisterous three-minutes that melds jagged, skewed guitars with a distinctive voice that has a new-found sense of confidence while touching on a vulnerable moment in Stef’s life. She also announces a North American tour in support of the new album.