The Pit on 93X presents
THIS SHOW HAS BEEN POSTPONED
Information regarding a rescheduled date will be announced as soon as possible. Tickets purchased for the originally scheduled performance will remain valid for the new date, so please hang on to your original ticket for entrance.
Previously: The Elder show originally scheduled for May 22 has been rescheduled and will take place on November 27, 2020. All tickets purchased for the May 22 performance will remain valid for the new date, so please hang on to your original ticket for entrance.
In the last dozen years, Elder has stepped out of the shadows of their peers in the heavy rock underground to emerge a unique voice, delivering album after album of almost unparalleled consistency and creativity. Omens, the band’s fifth full-length record, is the newest pillar in the construction of their own musical universe. With it, Elder further embrace experimentation in their brand of progressive psychedelic rock in which atmosphere, melody and structure are created and transformed again and again.
Following 2017’s Reflections of a Floating World and the 2019 experimental EP The Gold & Silver Sessions, it was anyone’s guess what the band’s next full-length might have in store. Having cemented their own sound – a dense yet lucid brand of heavy rock full of unexpected flourishes and progressive jaunts – the latter EP showcased an exact opposite side of Elder, more rooted in sparse krautrock and even jazz-tinged jams. Omens answers this speculation with a contradiction that embodies the spirit of Elder: somehow, there’s even more everything.
In five cinematic songs, lush, intricately interwoven melodies grow and dissolve into spaced-out jams. Massive riffs thunder down into a churning sea of psychedelic sounds and unpredictable grooves carry away the listener. Elder paints pictures with their music, and Omens shows the band experimenting with an even more colorful palette – with good reason.
After thirteen years, this is the first full-length recorded with a new lineup including guitarist Michael Risberg and new drummer Georg Edert, along with guest performances by Fabio Cuomo on Rhodes piano and synthesizers. This is music for a vacation from reality – or to lose oneself in another world. And yet Omens is not purely an exercise in escapism, but also reflects the increasingly bleak, confusing and antagonistic times in which it was written. Composed as a concept album spanning the lifespan of a civilization, the album also reads as a commentary on our own society hell-bent on profitability at the expense of our own lives and environment.
Omens was recorded and mixed at Black Box Studios in France with engineer Peter Deimel (Shellac, dEUS, Motorpsycho) and mastered by Carl Saff in Chicago. The result is an album that is rich, warm and dynamic, presenting the many layers of Elder’s complex sound clearly and offering new discoveries with every listen. Elder will embark on US and European tours this spring through summer to support the record, which is slated for release on April 24, 2020 in the US via Armageddon Shop and in Europe via Stickman Records.
Hailing from the mountains of North Carolina, BASK was fully conceived in the fall of 2013 when guitarist Ray Worth, drummer Scott Middleton, bassist Jesse Van Note, and guitarist/vocalist Zeb Camp joined forces. The band’s new record, aptly titled III, showcases a soulful juxtaposition of Americana rock ‘n’ roll with progressive and psychedelic elements, separating BASK from your average Southern rock outfit.
Conceptually, each song on III is inspired by a piece of legend, folklore, or mythology, reexamining characters and situations that are often misunderstood or overlooked. Its overlying themes also including the natural world, the cyclical nature of human experience, revenge and subverting social norms.
Since forming in 2013, BASK has released two full lengths: American Hollow (2014) and Ramble Beyond (2017). The band has toured North America and Europe with seminal artists High On Fire and Weedeater, as well as contemporary figure heads Pallbearer, Kayo Dot, Royal Thunder, and Black Tusk. The band has also shared the bill with a range of diverse artists, from Guided By Voices to Carcass and Refused, on festivals such as Desert Fest Berlin and London, Speedfest in Eindhoven, The Netherlands, and Heavy Mountain in Asheville, NC.
BASK’s sound has been described as progressive and cinematic, containing glimpses of Appalachian tonality and heartfelt heaviness, something they unequivocally prove with III. While songs like “New Dominion” and “Stone Eyed” present a heavier dynamic from the band, tracks like “Maiden Mother Crone” and “Rid of You” serve up a melancholy elegance that showcases the band’s roots, adding to the record’s vast yet cohesive dimensions.
III is sure to take the listener on an emotional journey through its many peaks and valleys. It’s something you just must hear for yourself to truly grasp the depths of BASK’s rock ‘n’ roll soul. Esse Quam Videri.