Lean in to Mandolin Orange’s new album, Blindfaller, and it’s bound to happen. You’ll suddenly pick up on the power and devastation lurking in its quietude, the doom hiding beneath its unvarnished beauty. You’ll hear the way it magnifies the intimacy at the heart of the North Carolina duo’s music, as if they created their own musical language as they recorded it.
Released September 30, 2016 on Yep Roc Records, Blindfaller builds on the acclaim of Mandolin Orange’s breakthrough debut on the label, 2013’s This Side of Jordan, and its follow-up, last year’s Such Jubilee. Since then they’ve steadily picked up speed and fans they’ve earned from long stretches on the road, including appearances at Austin City Limits, Telluride Bluegrass Festival, Newport Folk Festival, and Pickathon. It’s been an auspicious journey for a pair who casually met at a bluegrass jam session in 2009.
As the duo’s songwriter, Marlin sharpens his lyrical prowess here, touching on broad themes of growing older and feeling helpless in a world torn by injustice. Sure, the album sounds classic, but it is rooted in the here and now of our daily headlines. Take “Gospel Shoes,” a gimlet-eyed critique of how politicians have used faith as a weapon. “Freedom was a simple word, so reverent and true/ A long time ago, it meant the right to choose/ Who you love and how to live, but now it’s so misused/ And twisted by the politics of men in gospel shoes,” Marlin sings. “When we finished Such Jubilee, I started writing these songs with a different goal in mind. I thought about how I would write songs for somebody else to record,” Marlin explains. “I ended up with a bunch of songs like that, but we chose ones that I still felt personally connected to.”
Scandinavian folk duo My bubba’s second album, BIG BAD GOOD, was recorded with Shahzad Ismaily (Will Oldham, Jolie Holland) at his Brooklyn studio Figure 8 Recording (the hideaway where Richard Hell, Pussy Riot and Nick Zinner converged to record “I Can’t Breathe”), and released in April 2016 on Cash Only Records.