There’s something somewhat frightening, yet utterly liberating when leaving the confines of a successful band to venture solo — especially a band whose latest record was called “effortlessly brilliant” by critics. But, such is the case with Erika Wennerstrom who is taking a break from her Austin-based rock band, Heartless Bastards, to deliver her solo debut Sweet Unknown. “It was a really freeing experience,” reveals the singer/songwriter/guitarist. “I found my strength in my vulnerability as an artist, and really, just as a person. It kind of forced me to allow myself to be a little more exposed and stand on my own two feet. It’s easy to feel comfortable in a band, but it’s scary to do it as just yourself. I feel like I’ve grown a lot creatively and personally.”
But fans of Heartless Bastards — which has released five critically- acclaimed albums since their 2003 inception, appeared on many late night television shows, and has drawn praise from Rolling Stone, Time, New York Times — need not worry. The band has not broken up. “We’d been going for so long and everyone in the band was just ready for a little break. But I had songs in me that needed to come out. I didn’t think it was fair to push them to keep going and I didn’t want to do it without them under the band name,” explains Wennerstrom, who enlisted the help of HB’s Jesse Ebaugh to play bass on 8 of the 9 tracks on Sweet Unknown.
Fans can also rest assured that what they’ve grown to love about Wennerstrom’s music is still front-and-center. Her trademark vocals that NPR so aptly calls “warm yet gritty, throaty yet sweet, gigantic, yet intimate” are that… times 10. And the bluesy, rock vibes that Relix describes as “smoky, late night [rock] that exists somewhere between Royal Trux and the Rolling Stones” has only gotten smokier and bluesier. So, what is the difference? “It’s just more of me,” she says. “It’s as simple as that. I was able to get deeper and you get another level of my heart and soul. And, it’s really about my journey of self-awareness and healing and finding acceptance and self-love. It’s very empowering.”
While Wennerstrom has always been honest in the Heartless Bastards songs she’s written, the 9 tracks that make up Sweet Unknown are even more personal and reflective, and for her, quite transformative as well. “When I started writing this record, I thought about how maybe the struggles I’ve had at times in my life, and with writing, could be changed if I could put my energy and message towards others, but what I got was the most self healing I’ve ever had through the creative process. My positive message to others became my own mantra. It’s like how sometimes we need to start listening to our own advice, and singing these songs repeatedly has given myself a message I need to hear when I sing them over and over again,” she explains.
THE LAST BANDOLEROS
The Last Bandoleros are a four-piece outfit blending Tex-Mex, country and rock n’ roll. Their story begins in San Antonio, Texas with guitarist/producer Jerry Fuentes who, during a musical pilgrimage to Manhattan, chanced to meet New York native, singer-songwriter/producer Derek James.
Fuentes and James began collaborating in Brooklyn. But, Fuentes kept being drawn back to his native Texas to record in the same San Antonio studio where a couple of talented brothers were also emerging. Diego and Emilio Navaira, sons of Tejano music legend, Emilio Navaira, Sr., had been making a name for themselves around town for their energetic live performances and sterling vocal chops. Fuentes decided to combine both of his universes by introducing Derek to Diego and Emilio and inviting them to joint-sessions in Brooklyn and San Antonio where riffs and lyrics began flying fast.
Newly christened The Last Bandoleros, the quartet began playing live, opening for The Mavericks, Jon Pardi, Josh Abbott Band, Los Lonely Boys and Marc Broussard. Recognizing their high level of musicianship, Sting called upon them to sing backing vocals on his “I Can’t Stop Thinking About You” single which soared the heights of radio charts around the world.
In the sunken lands of Arkansas along I-55, there’s a road sign that directs you to a pair of tiny, hardscrabble towns in the Delta. It reads: Marie/Lepanto. Situated roughly between Southeast Missouri and Western Arkansas — the two points where singer-songwriters Will Johnson and Justin Peter Kinkel-Schuster grew up — that dual appellation seemed a perfect handle for their new collaboration. It’s especially fitting as their debut, Tenkiller, is an album permeated by a sense of place.